Essays on bertrand russell

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Bertrand Arthur William Russell, 3rd Earl Russell ( May 18 , 1872 – February 2 , 1970 ) was a British philosopher , logician , mathematician , historian , and social critic . In 1950, he was awarded a Nobel Prize in Literature .

Until 1898, Russell’s work a variety of subjects (like geometry or space and time) is marked by the presumption that any area of study contains contradictions that move the mind into other, related, areas that enrich and complete it. This is similar to Hegel’s dialectical framework. However, in Hegel’s work this so-called “dialectic” is a central part of his metaphysical worldview, characterizing the movement of “absolute spirit” as it unfolds into history. Russell is relatively uninfluenced by Hegel’s broader theory, and adopts merely the general dialectical approach. He argues, for example, that the sciences are incomplete and contain contradictions, that one passes over into the other, as number into geometry and geometry into physics. The goal of a system of the sciences, he thinks, is to reveal the basic postulates of each science, their relations to each other, and to eliminate all inconsistencies but those that are integral to the science as such. (“Note on the Logic of the Sciences,” Papers 2) In this way, Russell’s early work is dialectical and holistic rather than monistic. On this point, Russell’s thinking was probably influenced by his tutors John McTaggart and James Ward, who were both British idealists unsympathetic to Bradley’s monism.

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Since the late 1960s, Bertrand Lavier’s œuvre has subverted the traditional categories of artistic classification. Exploring  the relationships between painting and sculpture, representation and abstraction, life and art, "[...] one of the most important and elementary principles for [him] is precisely [that he doesn’t] want to be the prisoner of any aesthetic" (‘Bertrand Lavier depuis 1969’, Centre Pompidou, 2012). Moving fluidly from one medium to the next within the controlled space of his exhibitions, he continuously develops and experiments with strategies of translation, transposition, and conversion, ultimately disrupting our familiar ways of perceiving and conceiving art.

“The real aim of Zionism is the one stated innumerable times by the various Zionist thinkers and ideologists from its earliest conception until this day. From the essays of Achad Haam to the speeches of Ben Gurion, we can hear definitions of one goal, in various versions and phrases but with never-changing content: TO CHANGE THE IDENTITY OF THE JEWISH PEOPLE!”

In fact, there was a good basis for the 1911 Britannica to write about blonds in Thebes. Thebes was the leading city of Boeotia, a rich agricultural region in south-central Greece. Fragments from an ancient 150 BC travelogue describe the women of Thebes as “the tallest, prettiest, and most graceful in all of Hellas. Their yellow hair is tied up in a knot on the top of their head.” Pindar, a fifth century Theban lyric poet, refers to the Greeks as “the fair-haired Danaoi,” using a poetical name for the Hellenes. Likewise, in his Partheneia , or “Maiden Songs,” the seventh century BC Spartan poet Alcman, praised the beauty of Spartan female athletes, with their “golden hair” and “violet eyes.” He also wrote of Spartan women with “silver eyes,” meaning light gray. The seventh-century BC Greek poet Archilochus praises the “yellow hair” of one of his lovers, and Sappho—also of the seventh century BC—writes of her “beautiful daughter, golden like a flower.”

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essays on bertrand russell

Essays on bertrand russell

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